Met Film Production is dedicated to the development and production of innovative, commercially-driven feature films which will attract audiences both nationally and internationally. Met Film Production was formed in 2007 with the successful transition of the entire team behind feature film production company APT Films, producers of the award-winning feature documentary Deep Water, the highly acclaimed Wondrous Oblivion, and the Academy Award nominated film Solomon & Gaenor.
We are proud to be based within Ealing Studios within the Met Film group, and part of Arts Alliance; relationships that put us in a much stronger position to fulfill our mission. Met Film provides a synergistic working environment for emerging and established film industry professionals. Our group of companies provides a virtuous circle - we train filmmakers, make films, provide end to end post production to the film industry and service corporate clients with innovative communications solutions.
As a production company, we pride ourselves on our commitment to fostering relationships with both new and established talent, through APT Films have a rich tradition of development activity and shorts production, and through the Met Film School see a rich flow of opportunity and talent. Integration with Met Film Post and the relationships with other companies through the Arts Alliance network and within Ealing Studios put us in a uniquely strong position at the heart of the British film industry.
We only get involved in projects which ignite our collective passions, and have a wide range of films in development, from small to high budget, from documentary to fiction, and across genres. Our latest feature documentary Heavy Load, is currently on general release in cinemas across the UK, and Little Ashes and French Film will be released in Spring 2009. We are currently in postproduction on Sweet Swan of Avon.
Wondrous Oblivion: "A poignant, warm-spirited coming-of-age drama ... understated but effective in the points it makes, Wondrous Oblivion steers clear of the melodramatic and refuses to indulge in the kind of overt audience manipulation that would have made for a more conventional and less appealing film .... Less is more appears to have been the general guiding principle for a modest, memorable film that effortlessly touches the heart."